2007.04.14
Too make up for the terribly dull and self-indulgent entry below, here's a lovely and addictive flash game: Boomshine... kind of a cross between Missile Command and Maxwell's Demon. The urging on you do of your little boomshine circles to just hold one one...second.........LONGER is amazing.
Ramble of the Moment
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| I bought the red iPod, which gave a token amount to fighting AIDS in Africa. Also, this image is about half again as big as the real thing. |
(Admittedly, my judgement is biased towards stuff that's good to do geekwork to, so energetic music tends to have an advantage over the slower stuff, and long jazzy or classical bits have very little chance.)
So I decided to grant myself one final birth day indulgence, or reward for sorting through all this, and bought an iPod. I had an iPod a long while back, but didn't really have a spot for it, the car radio adapter was more trouble than it was worth. But now that I've started walking to and from the T station and my work PC doesn't have a reliable sound setup, this one should be more useful.
It's kind of weird that the 8-gig Nano costs the same as a 30-gig iPod video, but still I went for the former. Besides better battery life, and not having internal moving parts, its petite minimalism just resonates for me.
And for your reading pleasure, and since I was on kind of a self-indulgence roll, I thought I'd blow a day on kisrael discussing the 29 bestest songs on my iPod.
Music of Every Damn Moment
The first three I identified as the Best. Songs. Ever. a long while back. They are Deee-Lite's Groove Is In The Heart (which I am morally compelled to dance to every time I hear it, even if just a little), Buildings And Bridges by Ani DiFranco, which is the most beautiful blend of dimestore profundity and musical grace I've ever heard, and It's Your Thing by the The Isley Brothers, the bass and piano that never fails to grab me by the cajones. (There's a bit more R+B in the Top 29: James Brown's I Feel Good and Soul Man by Sam & Dave.)
I've always loved Fever by Peggy Lee, and Shirley Bassey has a similar vamp effect in the Propellerheads' History Repeating.
Lately I've been getting into mashups, Tripper Trouble is dj BC mixing up the Beatles and the Beastie Boys, Groove's a Bitch by dsico is Groove is in the Heart plus She's a Bitch plus Just 1 Kiss, My Other Car Is A Beatle by Jay-R is an even bigger swath of artists. And before there was mashups there were covers and remixes, like Shake Your Thang, which really is how Salt-N-Pepa introduced me to It's Your Thing, and more recently JXL's A Little Less Conversation revived a sleeper Elvis work. Also two by Tom Jones et al.: Burning Down The House and Sexbomb.
Mystery Dance by Elvis Costello is the only song to appear in the Top 29 twice, it's short enough that both the electric and acoustic versions seem worthwhile.
Cake's The Distance always holds a special place in my heart as being my big solo in Tufts' sQ. Then there's a string of modern stuff... Smash Mouth's Diggin' Your Scene and the overplayed but great AllStar, t.A.T.u.'s All The Things She Said, the nostalgic drumline of Gwen Stefani's Hollaback Girl, and the cool retro-western-gogo of Legend Of A Cowgirl by a Imani Coppola
Slowing things down, Holly Cole's cover I've Just Seen A Face is just lovely, and I find Dar Williams' As Cool As I Am, Paul Simon's Tenderness, and Willy Mason's Oxygen can all move me to tears when I'm on the hunt for that kind of catharsis.
Finally, some oddballs: Johnny Cash's Riders In The Sky is just THE cowboy song for me, Maynard Ferguson's Chameleon is the only instrumental to make it here, and Madonna's Hanky Panky (Bare Bottom 12" Mix), with its giant percussion and naughty spanky talk is the best thing to have spun off from the movie Dicky Tracy.
I might be willing to make a mix cd or mp3 set if anyone is interested.