April 29, 2022

2022.04.29
"What's the primary difference [between the music/bop at school and your main work]?"
"In New Orleans, you'll hear more Louis Armstrong, it's more dancing, it's more for the people. And then when you go to play the other stuff, you're really playing for the next musician next to you..."
"And they're barely listening..."
"Oh they're listening, but the crowd might not be listening."
That sentiment is so near and dear to my heart. I know part of it's a little laziness on my part, but while the main reason I play tuba as much as I do is to enable other musicians, but my real goal is to get them to connect to audiences, not to try and wow each other with finesse.

I also liked "That's a New Orleans thing - we put a tuba on ANYTHING. You see a washboard player, he got a tuba player..."


Always loved this Coltrane diagram. Wrote about it (and also state machines) at my devblog.
New Trek Opening... Thinking about the Trek original crawl, and how ST:TNG changing it from "Where No Man Has Gone Before" to "Where No One Has Gone Before" makes it less sexist but more colonial? Like, there are usually beings already living below wherever the Enterprise parks itself in orbit... (Sigh. I guess "No human" is too wonky and too specific for a multi-species crew)